What is the relation between the poem and a form of life?
(reader)
The Bitters Column is a bi-monthly publication about forming a feminist graphic design practice in conversation with others.
This is a reader from the pool of references that accompany the text Women* Sitting at the Machine, Thinking.
Bibliography
Askerup, Malva. The Bitters Column, Issue 2, 2026.
Brodine, Karen. Woman Sitting at the Machine, Thinking. Seattle: Red Letter Press, 1990.
Cockburn, Cynthia. Brothers. In Male Dominance and Technological Change, 118 – 40. London: Pluto Press, 1983.
Condorelli, Celine, and Avery F. Gordon. The Company We Keep. PERSONA, Issue 2 (2013): 14.
Condorelli, Celine. Too Close to See: A Conversation with Johan Frederik Hartle. In Self Organised. London: Open Editions, 2013.
Certeau, Michel de. The Practice of Everyday Life. Berkeley: University of California Press, 1984.
Myles, Eileen. The Lesbian Poet. In Revolution:
A Reader, edited by Lisa Robertson and Matthew Stadler. Portland, OR: Publication Studio, 2012.
Martinis Roe, Alex. To Become Two: Propositions for Feminist Collective Practice. Berlin: Archive Books, 2018.
Robertson, Lisa. The Collective. In New Weathers. Toronto: Book*hug Press, 2019.
Sutherland, Janet. Karen Brodine: Poet, Feminist, Revolutionary, 1947 – 1987. In Freedom Socialist, 1988.
Solomon, S. Offsetting Queer Literary Labor. Version 1. University of Sussex, 2018.
Scotford, Martha. Messy History vs. Neat History: Toward an Expanded View of Women in Graphic Design. Visible Language 28, no. 4 (1994): 368 – 88.
*
Contact: malvaaskerup@gmail.com
This is a research project into editorial practices as means for collaborative work, initiated by graphic designer Malva Askerup, as part of graduation project 2026.
Web design and development: Malva Askerup
